It has been argued that the work also resembles later emblem books, particularly the English version which provides a verse "motto" as well as a Latin title and summary. The book has been variously labelled as satire, allegory, sermon and complaint, incorporating themes such as the dance of death, memento mori and the wheel of fortune. The Ship of Fools may be thought of as a blend of tradition and innovation. Edwin Zeydel sees it as a move away from traditional concepts like allegory, and towards drama, the essay and the novel.
Colbert falls into the same old left wing boilerplate denunciation of any criticism of illegal immigration as racist. Of course if you disagree with anything a liberal supports you're automatically a racist. That goes doubly for open borders. It's also pretty funny to hear Colbert calling someone a racist when he has made several homophobic comments on his show recently. Apparently support for open borders overrides homophobia.
Imagine then a fleet or a ship in which there is a captain who is taller and stronger than any of the crew, but he is a little deaf and has a similar infirmity in sight, and his knowledge of navigation is not much better. The sailors are quarreling with one another about the steering––every one is of the opinion that he has a right to steer, though he has never learned the art of navigation and cannot tell who taught him or when he learned, and will further assert that it cannot be taught, and they are ready to cut in pieces any one who says the contrary. They throng about the captain, begging and praying him to commit the helm to them; and if at any time they do not prevail, but others are preferred to them, they kill the others or throw them overboard, and having first chained up the noble captain's senses with drink or some narcotic drug, they mutiny and take possession of the ship and make free with the stores; thus, eating and drinking, they proceed on their voyage in such a manner as might be expected of them. Him who is their partisan and cleverly aids them in their plot for getting the ship out of the captain's hands into their own whether by force or persuasion, they compliment with the name of sailor, pilot, able seaman, and abuse the other sort of man, whom they call a good-for-nothing; but that the true pilot must pay attention to the year and seasons and sky and stars and winds, and whatever else belongs to his art, if he intends to be really qualified for the command of a ship, and that he must and will be the steerer, whether other people like or not––the possibility of this union of authority with the steerer's art has never seriously entered into their thoughts or been made part of their calling. Now in vessels which are in a state of mutiny and by sailors who are mutineers, how will the true pilot be regarded? Will he not be called by them a prater, a star-gazer, a good-for-nothing?[1]
Donald Trump was in many ways an unappealing figure. He never hid that. Voters knew it. They just concluded that the options were worse—and not just Hillary Clinton and the Democratic Party, but the Bush family and their donors and the entire Republican leadership, along with the hedge fund managers and media luminaries and corporate executives and Hollywood tastemakers and think tank geniuses and everyone else who created the world as it was in the fall of 2016: the people in charge. Trump might be vulgar and ignorant, but he wasn’t responsible for the many disasters America’s leaders created….