The film was nominated for Best Actor in a Leading Role (Oskar Werner), Best Actor in a Supporting Role (Michael Dunn), Best Actress in a Leading Role (Simone Signoret). In addition, the leading and supporting cast was nominated for British Academy of Film and Television Arts (BAFTA) and Golden Globe Awards.[15] Other nominations included Best Costume Design, Black-and-White (Bill Thomas), Best Picture and Best Writing, Screenplay Based on Material from Another Medium.[16]
Ship of Fools is a 1962 novel by Katherine Anne Porter, telling the tale of a group of disparate characters sailing from Mexico to Europe aboard a German passenger ship. The large cast of characters includes Germans, a Swiss family, Mexicans, Americans, Spaniards, a group of Cuban medical students, and a Swede. In steerage, there are 876 Spanish workers being returned from Cuba. It is an allegory tracing the rise of Nazism and looks metaphorically at the progress of the world on its "voyage to eternity".[1]
The film has been released on VHS, laserdisc and DVD. The film's standalone DVD release is an open matte 1.33:1 transfer with no supplements.[18] This release is currently out of print. The film was later reissued in widescreen with supplements in a Stanley Kramer box set from Sony Pictures Home Entertainment.[Note 4] Currently, the film is also available in a budget-priced two-disc, four-movie collection DVD licensed from Sony to Mill Creek Entertainment.[Note 5] All four films are presented in their original theatrical aspect ratios and are anamorphically enhanced. The film has been released on Blu-ray in a double feature pack with the film Lilith via Mill Creek.[19]
The story takes place in the summer of 1931, on board a cruise ship bound for Germany. Passengers include a Spanish noblewoman, a drunken German lawyer, an American divorcee, a pair of Mexican Catholic priests. This ship of fools is a crucible of intense experience, out of which everyone emerges forever changed. Rich in incident, passion, and treachery, the novel explores themes of nationalism, cultural and ethnic pride, and basic human frailty that are as relevant today as they were when the book was first published in 1962.
For more than 50 years, the Conservative Book Club has guided book lovers to the best conservative books and authors of our times. While the mainstream media tends to celebrate only books from the Left, the Conservative Book Club has provided a much-needed resource for readers interested in conservative politics and conservative values. CBC remains the guiding light for conservative book lovers today. And in its new digital iteration, the Conservative Book Club welcomes new and old friends alike to discover the profound pleasure of great conservative books.
In chapters with titles like “Elites Invade the Bedroom” and “They Don’t Pick Up The Trash Anymore,” Mr. Carlson focuses on the strange new aberrant moralities and the corruption of the once non-political concept of environmental conservation and protection. And in “Importing a Serf Class,” he does the same to the current hypocritical and misleading debate clouding the vital issue of immigration.
This edition was printed by Richard Pynson. Pynson is considered one of the finest printers of his time. He employed a fine range of types and used superior press-work to his contemporaries, combined with more effective illustration and decoration. According to Binns, Pynson introduced Roman type into England in 1509.  In this edition of the Stultifera Navis he used a Roman typeface for the Latin, but gothic ‘black letter’ type for the English. This reflects the earlier scribal practice for medieval manuscripts whereby the more expensive, Latin works would often be written using Roman lettering.  The choice of typefaces can therefore be very important; the Roman type gives the book authority, the gothic provides popular appeal.

…There was also the possibility that Trump might listen. At times he seemed interested in what voters thought. The people in charge demonstrably weren’t. Virtually none of their core beliefs had majority support from the population they governed….Beginning on election night, they explained away their loss with theories as pat and implausible as a summer action movie: Trump won because fake news tricked simple minded voters. Trump won because Russian agents “hacked” the election. Trump won because mouth-breathers in the provinces were mesmerized by his gold jet and shiny cuff links.

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